Irene, a thirty-something housewife with a successfull husband and a young son, has her life thrown in a spin when she becomes attracted to Billy, a member of a landscape crew outside her house. When Irene’s husband and son leave for a weekend fishing trip, Irene wanting to see Billy, gets locked in the back of his trailer and ends up at remote Lake Consequence with Billy and his girlfriend Grace where they take Irene on a trip into the nearby town to a Chinese New Year Festival, and through a series of adventures they bring out the repressed sexual needs Irene has been holding inside for a long time.

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(German Language)
I watched this movie expecting to get the same old erotic movie. Boy, was I surprised when I watched this movie. You get to see female nudity from head to toe and male nudity. Girls are playing with themselves while the teacher gets hot herself. There is also lesbian scenes with good description and sex scenes tied in with some of the best comedy since, Benny Hill. If this movie does not turn your buttons you must be dead in certain parts of your anatomy. Don’t miss the butterfly catching scene. I gave this movie a 10 because it steams adult erotic with good old fashioned humor. Rent this movie and than buy it because it is one of a kind.

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A beautiful redhead beauty, named Kaitlin, seeking to get away from her boring wealthy life and her uncommunicative husband Jeffrey, assumes the identity of her outgoing, blond, identical twin sister, Shauna, when she leaves town and Kaitlin soon becomes embroiled with a psychotic serial killer whom is stalking Shauna.

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An innocent woman is sent to a Czech prison, where the sadistic warden and guards rape and perform bizarre sex acts on the prisoners.

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Sweet, naive, yet lovely and enticing virginal 16-year-old innocent country girl Inga (the delectable Christina Lindberg in her film debut) goes to the city to spend the weekend with her older, more worldly and experienced sister Greta (Monica Ekman) and her boyfriend Casten (Krister Ekman). Inga gets in touch with her budding sexuality, loosens up, and learns the joys of booze, dancing, and intercourse. Casten’s equally loutish friend Bjorn (Leif Naeslund) forces himself on Inga on their first date, but she falls for the creep anyway! When Inga decides to take a bath one fateful day, Casten naturally can’t help but join the luscious lass for some splashy carnal fun (can anyone blame the guy?). Director Dan Wolman relates the sordid coming-of-age story at a steady pace and delivers plenty of tasty nudity and steamy softcore sex scenes.
Not surprisingly, Wolman shows off Christina’s awesomely abundant physical attributes as often as possible: Lindberg disrobes with pleasing regularity, masturbates in bed after catching Greta and Casten making love, cools off with a shower (shot in sensuous slow motion for extra erotic effect), and performs her sex scenes with scorching lusty abandon.

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a.k.a. Caged Women (1980)
a.k.a. Island Women (1980)

GEFANGENE FRAUEN (better known in the US as ISLAND WOMEN) is a fantastic softcore women-in-prison film directed by Erwin Dietrich with an amazing cast the includes Brigitte Lahaie, Karine Gambier, France Lomay, Nadine Pascal, Krista Free and Eric Falk. In a South American country the ‘El President; decides he has to hide the prostitutes who work in his brothels. His plaything, Karine Gambier suggests he had the girls ‘arrested’ and brought to an island prison where she plays the warden who must keep the girls in line. There the prisoners are subjected to the usual women-in-prison disciplinary actions.

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In Emanuelle and the White Slave Trade, reporter Emanuelle (Laura Gemser) is doing a story on the white slave trade and tracks everything to a gangster living in Africa. Not happy stopping there, Emanuelle comes back to America and begins working undercover. This is probably the best of the D’Amato/Gemser Emanuelle movies. Unlike the other films in the series this one here at least manages to be entertaining without having to have a woman jerk off a horse as was seen in Emanuelle in America. This film here has a pretty interesting story and it moves along without too many boring spots. Needless to say there’s a lot of sex scenes with Gemser taking on various men and women and these here are without a doubt the best scenes. D’Amato makes most of these very erotic. The scenes in Africa are well shot and it’s nice seeing some of the wildlife. Some of the American scenes were lifted from Emanuelle and the Last Cannibals but this just adds to some of the cheap fun.

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In regard to the Bob Guccione-directed pornographic inserts in the uncut version of “Caligula”–what better way is there to exemplify the excesses of a crazed Roman ruler than with a little of the ‘ol in-out, in-out? And what better actor to preside over the excesses of a Sodom-esquire Rome than Malcolm McDowell, who lent “A Clockwork Orange” its amoral backbone? Here he plays the titular emperor, who carries on a long-standing incestuous relationship with his sister, Drusilla (Teresa Ann Savoy), and weds Rome’s most promiscuous prostitute, Caesonia (Helen Mirren), only to descend down a power-mad spiral of paranoia, insanity, and death. Director Tinto Brass (himself a porn auteur) uses this bit of history as a springboard into unspooling a lavish, extravagant pseudo-epic, rife with overwhelming sets, costumes, and carnage (dig the motorized decapitator!)–all of which become extensions of Caligula’s excessive character. McDowell–who at first seems to be doing a gloss on Alexander DeLarge, clocks in a portrait of murderous tyranny with a mix of cold-blooded conviction and tongue-in-cheek camp. The rest of the cast–including John Gielgud and Peter O’Toole in small roles–adopts the same no-boundaries Method histrionics, which lends the film a fittingly surreal tone. Furthermore, the porn inserts (including two lusty lesbians and a wild, full-blown (pun intended!) orgy scene)–whose integration runs the gambit from clumsy to seamless–are entrancingly sleazy, a complement to Caligula’s own prurient pleasures, and an affirmation of our own.

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a.k.a. Monella (Tinto Brass)

The story takes place in northern Italy in the 1950’s. Lola and Masetto is about to get married. Masetto wants to keep Lola as a virgin until they are married. But Lola is impatient to remain in chastity until the wedding night. She wants to be sure that Masetto is a good lover, before she commits herself into marriage. She does everything to trick Masetto into breaking the moral tradition.

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This bold, incredible film is almost impossible to categorize, so I’ve refrained from reviewing it until now. I just don’t know how to adequately convey its many charms. It has a harsh, brutal opening in which a buffalo receives repeated blows to the head and is carved up while traumatized children look on. Ten minutes later, we’re feasting our eyes on hot Filipino women as our plot gets underway. In a small, impoverished village on the edge of the sea, the scorching hot Selda (Sarsi Emmanuelle) teaches the local children to live a chaste, sin-free life while barely resisting the carnal inquires of the local stud. Things get even hotter when Selda’s old friend Tonya (the gorgeous Marie Isabelle Lopez) saunters into the village with her new boyfriend and ignites an erotic inferno of dormant lust and repressed anger. Director Elwood Perez and scripter Ricardo Lee have not created a film that is content to meet genre expectations. This stunning work references everything from the work of Alejandro Jodorowsky to Japanese pink cinema to Spain’s “Who Could Kill A Child?” It is filled with surprises and is far more explicit that you would ever expect it to be. It is extremely erotic and brutal, yet it is also a sharp study of a fascinating sub-culture with very recognizable characters. Its seaside location is dazzling and its musical score (by Lutgardo Labad) is haunting and melodic. Original in every way and packing a punch right to the end.

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